Technical Testing Tribulations

ay back in November I finally staked my claim on a corner of the internet by registering and hosting a website under my name. I had stalled for almost a full year, thinking there was too much I would want to research before pinning down a registrar/host. Turns out that was the easy part (once I realised I didn't need a slew of dedicated servers in the former Soviet Bloc).

After choosing DreamHost at the recommendation of a friend and a popular website (Lifehacker, who recently re-affirmed DreamHost's dominance), all I had to do was learn how to code an entire website. And not just any website, one that would display a photographic portfolio dynamically and interactively and [buzzword] and [so on]. Ok, so I haven't quite gotten to that part yet, but the site exists and is a decent placeholder.

The holdup is that I'm the sort of person who can't just throw up something pre-fabricated and call it a day, I have to learn how to code the entire thing myself, learn databases and cascading stylesheets, from scratch. Maybe once I've done that I could take an easier route, but without understanding the background it seems too much like cheating. Besides, most of the point was giving myself opportunity to learn, given that my photos probably aren't going to start flying off the shelves (there are some up, but they, too, are placeholders).

So in the meantime I've just been using the web export feature in Adobe Lightroom (a god-send for those of us who like cataloging, integration with other applications and services and powerful but simple tools). The problem I'm leading up to is that I'd like to stop hosting the photos I use in blog posts on Picasa and move them all over to a dedicated storage folder on my website. Heck, someday I should move this blog there, too.

The problem is that to use a photo in a post, I need to have a link to the .jpg file that will never change, or at least use a relative link to just "/kitten.jpg" rather than "http:// blah/folderA/section56/kitten.jpg" and so on. So that's one solution. But I also need the photo to link to a gallery view on my website, so that the clicker can browse through other photos from my blog, and also use spiffy navigation controls to browse by keyword or just mosey back through other parts of my portfolio.

I'm not going to list how much of that I have no idea how to accomplish, because it's too overwhelming. But, I've written an entire blogpost about it now, so that will hopefully motivate me.

Oh, and the reason there are random photos of pie here is because they're hosted on my website, just... not very sophisticatedly.

Photo post: What happens when I get bored on Sunday afternoon

• I weed. I weed books, I weed clothes, I weed my life. The result is usually a bag of little-used odds and ends that winds up in my parents' house until I see fit to sort through it all (sorry about that). More to the point, weeding also results in realising that 75% of my jackets are corduroy.

• I clean and dust maniacally, including inside things, which leads back to #1, there. This week my small collection of [also little-used] makeup fell victim to my boredom. And then so did my face. Disclaimer: the most makeup I ever wear is mascara, and I have no clue what I'm doing otherwise. 

• I ponder crafty things. Aside from the long list of half-finished projects and box o' mending I've been avoiding (despite having hauled my sewing machine over here) I recently acquired some little green wool balls. There was a big tub of multi-coloured wool balls at Eastern Market a while back when I went with Wortklauberlein, and I fished out some in my favourite colour. Anyone have ideas as to what I should do with them? I was thinking poms for something scarf-like. There are 10.

Baking is exhausting

Well. I'd been meaning to make a chocolate cake of some variety for a couple weeks, and today I finally got around to it. This recipe came out of the copy of Martha Stewart's Entertaining (also see this old blog post), which I received in the mail Friday (thanks to that B&N Groupon the other day). I'm saving the actual reading of Entertaining for a time when I can sit and peruse leisurely, but I nabbed this cake recipe for now.

Chocolate almond cake comes from one of the wedding menus (for ~50 guests, as opposed to the 100 and 200 guest menus. Dear God.) at the back of the book. The original recipe actually involves making the full size, multi layer, stacked wedding style cake, and uses both this recipe and an orange almond cake alternately for the layers (with copious amounts of decorative frosting, of course). I just halved the recipe and made a basic two layer cake, instead. Some of the chocolate I'd been intending to use disappeared, and I ran out of eggs, so the chocolate glaze (which I nabbed from my Williams Sonoma book.. and quartered!) is a bit sparse. 

Anyway, the recipe specifies that you shouldn't overcook the cake, because it should be extra moist in the middle. I may have overcooked a little bit, but it's so hard to tell how done the cake is before it cools... Still, it's quite tasty. The meringue gets folded in last and provides that nice fluffiness. I just stuffed some blackberry preserves that happened to be in the fridge between the layers, but I'd rather have used raspberry, and had a fluffier frosting on top. My resident critic tells me he doesn't like buttercream frosting, but I've never tried it at home. It's likely to be a lot better than the grocery store stuff, in any case.

Meanwhile, you may notice that my accompanying photos are a little nicer than usual. I've been getting back into my photography habit lately, and have been working with a DSLR for the last month. The internal debate over what camera I actually want and whether I can justify buying it has gotten quite raucous, but someday soon...

After reading Photocritic's post about prime lenses I was eager to try one... and then I realised how silly that was. Of course, all cameras used to have "prime lenses." This zoom stuff is really quite recent (a prime is simply a lens that has a fixed focal length, eg, no zoom). So, these photos are indeedy sharper than the average bear, and more excitingly, were shot at f1.4 in my dark little kitchen at night. So HA.


And you may also notice the watermark on these images. I've actually gone and sprung for Adobe Lightroom, which has made my life a good deal easier with its editing, cataloging, web design, export... everything. I have a little project in the works...


Annnd recipe:

Photos/Ponderings: Dichotomies

Perhaps, we like dissonance because it is so full of expectation for resolution.
Perhaps, we like observing other people's tribulations from within our own safe shells.

No matter how long difficult times last, there is always hope of conclusion and mending, even when it should be left behind.
No matter how implausible an ideal denouement may be, we cling to it rather than take the tougher, circuitous path forward to our eventual goal.

And when we do have to accept an undesirable outcome, when one occurs despite our efforts, we change our way of thinking so that we may say, Yes, this is what I meant to happen. It is good.

Photos are both mine from this Autumn; Top are sailboats in Annapolis Harbor during the Boat Show, the sunset is from Chincoteague Island, VA. Both will get bigger if you click on them, but please don't steal w/out credit and due publicity.

ps. It seems that my photo posts are package deals with ponderings. And alliteration.

Photos, great and small

In my experience as a photographer, I have waffled between being a black and white darkroom purist and messing around with larger digital prints. The work I did in the darkroom focused on 4x5 contact prints, which felt precious and significant. Small photographs force the viewer to lean waaay in to see the details, practically putting their nose to the glass to get close enough. I like that because there's a certain amount of focus and concentration needed to view the work, and you can be more assured that your viewer will really look. I saw an exhibit a while back that really exemplified this, but of course I can't remember who or where. It was an early 20th century photographer who printed everything very small, usually 2x2 or smaller. Ideas?


This first photo is a series of prints I did mostly on location at the Whetstone Inn in VT. These nine prints hung in the Vermont Center for Photography for a month as part of a group show. It's tiny and hard to see the photos so you can't steal them, but trust me, they're really neat up close.
On the other hand, large panels of texture and colour can also pull a viewer in, but in a different way. A vast field of detail will make them feel as if they're floating away, swimming deeply in the content. The viewer is engaged in the print, but in a more meditative way, simply enjoying the patterns and colours. My interest in Rothko fits under this category.


Here's a quick example from my senior thesis show. I interspersed photos that represented memories with tight frames full of pattern or texture to explore how people observe and remember things. Unfortunately the Epson 7800 (I think) didn't print a lot bigger than this, as much as I would have loved a 5x6' print.

Anyone have good examples for either of these?

Dancing on the head of a pin

Wishful listing

Dear Santa,

This year for Christmas I would like to receive the following...

My computer has been acting up lately, fighting back against my overuse by occasionally turning itself off and complaining constantly, or just refusing to comply with my commands. Don't get me wrong, I love my little iBookG4, especially because it still runs OS9 applications (read: games, aka Power Pete, which technically came with OS7), but if I could relieve it of some of its burden we'd both be happier. I'm torn though. Since I also need my computer to be able to handle advanced graphics work, a desktop with a tower and wide-screen might be best, but I'd also like a more competent laptop... For now, the 15 inch solid state MacBook Pro (previous link) would fill in fine; I can always add the larger display later. And the Mac Pro Nehalem can just wait until I pick up the Epson 9900(with orange and green inks. whoa).

Meanwhile, my communications capabilities are suffering from another case of outdated technology. Three years of being in my left pocket have been hard on my Nokia. At the same time, my ipod classic did the thing ipods do and broke its headphone jack, and quite likely has a hard drive failure as well. My immediate thought was to get another ipod, but as it turns out I might as well get an iphone 3GS 32 GB and solve both problems at once. And again, the solid state drive will help a lot when it's bouncing around in pockets and bags. Next issue: bluetooth earbuds/headset and laser keyboard (although I'd prefer if it were a smaller device. If only someone would develop it further!).

If I'm going to be getting that Epson 9900, I should really also have a digital camera. I'm conceding the point of digitization in photography only because buying a few medium-large format film cameras (with lenses and different backs), learning colour processing and setting up a colour darkroom (or at least getting a film scanner and settling with the printer) all poses slightly more difficulty than spending a few grand on two pieces of equipment. A quick browse through some old Photocritic posts pointed me at the Nikon D90, but further research and recommendations are welcome.

On a less selfish note, a good way to connect with other artists/photographers in the area is to hunt down your local darkroom. The Washington School of Photography, for instance, has a camera club and workshops for community members.

...Anyway, Santa, I don't know how to prioritize my phone, computer and camera needs, but there you have it. My best to Mrs. Claus and all the elves. See you in two months!

Yours,
Elli

Self-development...

...is really what this blog business is about for me at this point. It's a good way to get my thoughts out in a somewhat public way without too much pressure, but still enough to keep me on my toes (hopefully). In lieu of spending a few hours collecting links and thoughts right now, and in the interest of posting *something* (it's been a while), here are some thoughts I've written out in other forums recently.

Someone asked me how I relate my interests to each other, specifically, Biology, Photography and Librarianshippy:

I would have to say that it's a lot about documentation and archiving visual information. I started out taking photographs (years ago) with the intention of putting them all in albums and preserving them for posterity. My intentions have shifted since then, and now I feel as if I try to document fleeting feelings I have about a place or time. This is actually extraordinarily difficult. How do you capture all the feelings, nostalgia and hopes of a sunrise without making it look like just another sunrise? I can't say as I've found the answer to the problem. My interest in biology also motivates me to examine landscapes and fauna [especially in close-up form].

And in the process of applying for a job I wrote out this, in response to some questions on the application:

The degree I received from Marlboro College is in photography and biology because I am also a photographer with a passion for knowing how things work on the molecular level. You could say I have a weakness for genetics. However, on a recent 13 hour solitary drive, I came to the conclusion that I really want to make information and knowledge available to as many people as possible. This solidified my conviction that I would like to become a librarian, which had previously been based on my love of books.
It is hard for me to pinpoint specific areas of literary interest. My personal collection is greatly varied, ranging from classic children's books to mysteries and science-fiction, with themes of food, history and, of course, books about books. It's always been very difficult to name my favorite books, but the two that spring to mind are Gastronomical Me, M.F.K. Fisher and The Big Golden Book of Elves and Fairies.

So that's kind of what I'm up to these days. Thinking a lot about what I'm doing, why I'm doing it, where I'm going, and trying to make long and short-term plans make sense together. Meanwhile, my life, built here in Vermont for the last four years, and in this apartment for the last two, is being packed into boxes and shipped off to the future. How strange it will be when I get there to meet it all, and open box after box full of the past.