Books read in Chincoteague (7 of 7): The Cabinet of Curiosities

ast but certainly not least we have a book acquired from one Jeff VanderMeer, signed by said editor and his accomplice, Ann VanderMeer, and kindly shipped to me for review purposes an embarrassingly long time ago. As is appropriate to such an anthology of bits and pieces, I read The Thackery T. Lambshead Cabinet of Curiosities in fits and starts, probably beginning by the pool last summer, the majority read at Chincoteague, and finished post-move in the new house. On the other hand, it's a rich and complex enough world to sink into, if one tends towards more efficient, focused reading.

This level of complexity largely stems from the wide array of contributors to this steampunk confluence, including Garth Nix, Tad Williams, Cherie Priest (of Boneshaker) and Alan Moore. While there were amusing oddities described in brief at various points in the book, the short stories have continued to stand out in my mind. The Relic, a story of a sand-bound church and its odd holy item, has stuck with me most. Some of the content felt mildly forced from the authors' pens, as if they had a story to tell, but had to include that one pesky element (the curiosity). The best written works used the items from Lambshead's cabinet, or snippets about the Doctor himself (because, of course, he was a doctor) to explore into a corner or two of the world set before them. This difference lies between the authors who tried to make the curiosities fit into a world of their own and those who used the curiosity to explore Lambshead's world.

The art is also a wide sweep of varietals, ranging from detailed penwork to signature styles to collaged photographs used to illustrate the [wholly imaginary] cabinet. This is a most impressive anthology, which I will be pleased to keep on my shelf and sometimes flip through to reread a passage or two.

The accidental harmony of the trenches during the war produced, sometimes, odd acquaintances... "Well, that's a proper cup," Russell said softly, as the smell climbed out of the teapot, fragrant and fragile. The brew, when he poured it, was clear amber-gold, and made Edward think of peaches hanging in a garden of shining, fruit-heavy trees, a great sighing breath of wind stirring all the branches to a shake. 

"It'll be all right, you know," Russell said. He rubbed a hand over the teapot. "I don't like to say, because the fellows don't understand, but you see him, too; or at least as much of him as I do... I don't know his name," Russell said thoughtfully. "I've never managed to find out; I don't know that he hears us at all, or thinks of us. I suppose if he ever woke up, he might be right annoyed with us, sitting here drinking up his dreams. But he never has."

Lord Dunsany's Teapot, by Naomi Novik, from The Cabinet of Curiosities. 

Books read in Chincoteague (4 of 7): Boneshaker

or once, the cover blurb is entirely accurate: "A steampunk-zombie-airship adventure[!]" Really, what more do you need to know? And yet, the characters in Cherie Priest's Boneshaker do go a bit deeper than that. They have emotional needs, frailities, a search for a father and role model, a last hope for lost love, an avoidance of kinship at the same time as a frantic search for the same. Not to mention attempts to understand another culture, come to terms with a violent history and guilt (over the same), and yes, the book contains a map.

In the desolate wastes of an alternate Seattle it's every man for himself, except when he feels the need to assuage his guilty soul by coming to a comrade's aid, but it's also all men against the undead, the darkness, without and within. Things can be simple and full of comaraderie in a society with a common enemy. And yet, men and women turn against each other in order to save themselves, to avoid or fight their inner demons, always always putting the self first, for there is very little true altruism in the world.

The book was pretty good, a fascinating and light frolic through a fledgling universe with some mystery thrown in along the way. The steampunk aspects are not obnoxiously overwhelming, but the "blight" victims (the zombie hordes) seem a little gratuitous (I think this is pretty much always the case with the undead). At four hundred fourteen reasonably dense pages, I could have gone for a lot more detail of the world and development of some of the characters' relationships. I'm told there are further developments to be had in subsequent novels.